Sunday, 21 February 2010

The Beatles Now Appearing on Your iPhone

Metatron Inc. today announced that its i-Mobilize subsidiary has released five new Video Apps from The Beatles, John Lennon and George Harrison on the iPad, iPhone and iTouch platforms, under a license from Orbital Media Group. The titles are:

1. "The Journey," a look at the remarkable formation and ultimate rise of the world's first supergroup. Utilizing rare, archival footage, news reels and interviews, this program charts the Beatles' success and follows their careers through to the untimely deaths of John Lennon and George Harrison. The Beatles Journey features various conversations and filmed events that follow the group's relentless sweep through the musical boundaries of the world.

2. "Big Beat Box," a documentary about the rise of Beatlemania. The music includes an "imagined" performance of a lost John Lennon song.

3. "The Long and Winding Road," a five-part documentary on the history of the "Fab Four."

4. "John Lennon -- The Messenger" features audio tracks "In Spite of all the Dangers" and "In His Own Words," and rare footage to spotlight Lennon with his life prior to and beyond The Beatles.

5. "George Harrison -- The Quiet One," which looks at the life of the youngest member of the Beatles. The video explores his complex nature and his life journey with interviews with those that were close to him. Using rare film footage, it examines his time with the Beatles, his undoubted musical talent, and his long held spiritual beliefs that were a comfort to him until his untimely death at age 58. The title provides rare insight into the man of music in his own words.

Joe Riehl, CEO of Metatron Inc., said, "Beatles titles are some of the most popular media available and we are thrilled to be able to release these titles in conjunction with our friends at Orbital Media Group. We continue to work with them to broaden our relationship and hope to bring more incredible content like this to iTunes in the coming weeks."

Sir Paul McCartney Backs IFAW in Action Campaign to Safeguard Hunting Ban and Urges 'No Return to Cruelty'

Sir Paul McCartney pledged "no return to cruelty" as he backed an IFAW in Action campaign to protect the ban on the cruel sport of hunting with dogs. Five years today since the Hunting Act came into force in England and Wales, Sir Paul speaks out in the new report 'No Return to Cruelty' by IFAW in Action, a part of the global International Fund for Animal Welfare movement.

He said: "When the cruel and unnecessary 'sport' of hunting with dogs was banned, I, along with the majority of the British public, backed this historic victory for wildlife. The scenes described in this report of how animals were hunted down and savaged with dogs for fun before the Hunting Act 2004 was passed are simply barbaric and shocking and should remain a part of Britain's past, not its future."

Conservative Party leader David Cameron has pledged to allow MPs a free vote on whether to repeal the Act if he becomes Prime Minister. This is despite the fact that a return to hunting would be completely out of step with the views of the majority of the British public, including his own party. Polling by Ipsos MORI* in September 2009 found strong cross-party support for maintaining the ban, including almost twice as many intending Conservative supporters backing the Act as those that want it repealed (62% vs 33%). Overall, 75% of the British public do not want fox hunting to be made legal again.

IFAW in Action's new report has been sent to prospective parliamentary candidates, urging them to remember the horrific cruelty inflicted on foxes, deer, hares and mink before the introduction of the Hunting Act and to protect the ban. IFAW in Action has also released a three-minute compilation of video footage showing examples of hunting cruelty before the ban. Robbie Marsland, UK Director of IFAW in Action, said: "The vast majority of the British public have long opposed animal cruelty and do not want the archaic practice of chasing and killing animals for fun to return to our countryside. We urge prospective parliamentary candidates to read our report and view the footage and remember why this vital ban was introduced."

IFAW in Action is also urging members of the public to read the report and view the footage at and to ask their local parliamentary candidates where they stand on the issue. When hunting with dogs was banned in 2004 there was already overwhelming evidence to show that hunting with dogs is cruel. Today that evidence is even stronger with the release of a new report this month by Professor Donald Broom of Cambridge University.

Professor Broom describes the evidence of cruelty in hunting with dogs as "compelling", with foxes, deer, hares and mink experiencing considerable fear and distress when being pursued by hounds or when being dug out. Sir Paul McCartney added: "Don't let politicians bring back cruelty. Help IFAW keep cruelty out of the countryside and back the ban on hunting with dogs."

Wednesday, 17 February 2010

The Beatles' infamous butcher cover inspires a wine collectible

Beatles artist Shannon has taken the Beatles butcher cover and given it some vintage through the design of a new set of wine bottles. She says that when Liverpool's Hard Day's Night Hotel was created, over 100 rooms were designed to fit a line-up of historical Beatles facts. She was given the task of creating original paintings to fit each room.

One such room was "The Butcher Room". Shannon created her own version of the controversial 1966 album cover there, which is now featured on a pair of bottles of red and white wine that can be purchased as a set. Only 50 sets are available. Cost for most of the sets is $59.99 for the set, plus shipping and handling. The bottles numbered #1 and #9 are $199.99 a set and are specially packaged with a “Signed by Shannon” print of the set on each bottle. Bottles numbered #2 through #10 are $99.99 a set and similarly packaged with a “Signed by Shannon” print of the set on each bottle. More information and to order: 310-739-4930.

Beatles' Abbey Road Studios 'could be saved by National Trust'

The Trust said members of the public had been in touch to urge the organisation to take on the property after the issue was discussed on Chris Evans' show on BBC Radio 2 and on BBC Radio Five Live. People have also been discussing whether the National Trust could save the world-famous studios on Facebook and Twitter. EMI's private equity parent Terra Firma is said to be hoping the north London site - made famous by the Beatles album and zebra crossing cover shot - could raise tens of millions of pounds.

A spokesman for the National Trust said: ''It's not often that the public spontaneously suggests that we should acquire a famous building. ''However, Abbey Road recording studios appear to be very dear to the nation's heart - to the extent that we will take soundings as to whether a campaign is desirable or even feasible.'' The building in St John's Wood could have a price tag of £10 million to £30 million, and the National Trust is asking the public whether they think the studios should be saved.

If there is enough momentum, a campaign could be launched to buy the studios on behalf of the nation. Former Beatle Sir Paul McCartney, who recorded most of the band's songs at Abbey Road, has told the BBC's Newsnight that he hoped the studios could be saved. He said: ''There are a few people who have been associated with the studio for a long time who were talking about mounting some bid to save it. ''I sympathise with them. I hope they can do something, it'd be great.'' He added: ''I have got so many memories there with the Beatles. ''It still is a great studio. So it would be lovely if somebody could get a thing together to save it.'' The National Trust already owns Mendips and 20 Forthlin Road, the childhood homes of John Lennon and Sir Paul McCartney in Liverpool.

Paul McCartney for Isle of Wight Festival?

The Beatles sang about the Isle of Wight on 'When I'm Sixty Four' and now rumours suggest that Paul McCartney is lined up to headline the festival. The trip may be three years too late (the singer is 67) but according to Daily Star, the showman is set to book a Ticket To Ryde this June to join Jay-Z and The Strokes at the top of the bill.

Kings Of Leon have also been touted for the same slot, but they are more likely to appear at V Festival. Vampire Weekend, Orbital, Daisy Dares You and Shakespears Sister are also confirmed for the Isle of Wight event this year. Click here for the latest Isle of Wight Festival line-up. Tickets for Isle of Wight 2010 are priced at £150 for a weekend adult camping pass, while a child (7-12) camping ticket costs £75. Isle Of Wight Festival 2010 will take place at Seaclose Park, Newport, from 11-13 June 2010. Ferries tickets from Red Funnel are on sale now with festival tickets. Book now to avoid the rush and the disappointment of not being able to get onto the Island.

New book on Beatles’ early Liverpool life

A LIVERPOOL man who had to give up work because of a painful muscular illness grew so tired of reading inaccurate Beatles books he decided to write “the definitive article” himself. David Bedford spent nearly 10 years compiling “Liddypool – Birthplace of the Beatles”, focusing on the Fab Four’s time in the city before fame and fortune beckoned. And Mr Beresford, 44, who suffers from the painful condition fibromyalgia, said his research has proven definitively that the nickname The Fab Four is a misnomer – all in all, 27 Liverpool musicians came and went from the band in its early days as its name changed multiple times before settling on The Beatles.

Beatles historian Hunter Davies declared the book “the best illustrated book on the Beatles I’ve ever seen.” Yesterday at Liverpool’s town hall, former insurance worker Mr Beresford met Lord Mayor of Liverpool Cllr Mike Storey to look at one of the first prints, which has been donated to the city. Mr Beresford – who moved to Dingle from Guildford with his family aged four and attended Ringo’s old primary school St Silas – said the book had been a labour of love over the years, “less a hard day’s night than a hard day’s decade”.

He added: “When I had to give up work I started reading Beatles books and saw other writers – mostly from over the Atlantic – writing things about Liverpool and getting it wrong. “To understand the Beatles, you have to understand Liverpool, so that’s why I wrote it.” Beatles fan Cllr Storey added: “‘Liddypool’ – as John Lennon renamed the city – is a great new work. “Everyone who thought they knew the definitive history of the early Beatles should think again as this new book really sets the record straight – and accurately re-tells a tremendous part of the city’s history.”

Clapton, Paul Simon Honor Yoko At NYC Gig

Some of rock and roll's biggest names turned up at New York's Brooklyn Academy of Music to pay tribute to Yoko Ono earlier this week. The show, which was billed under the name of Ono's 1970s supergroup, Plastic Ono Band, featured performances by Eric Clapton, Paul Simon, Bette Midler, the Scissor Sisters, Sonic Youth's Thurston Moore and Ono's son, Sean Lennon. The group revived several John Lennon classics - including "Give Peace a Chance" and "Yer Blues" - and also performed a number of Ono's solo works.

The recent performance of the late Beatle's work is not the only attention currently finding John Lennon. In an upcoming biopic, Nowhere Boy, filmmaker Sam Taylor-Wood shines a light on the legendary songwriter's early life. In an interview with the Wall Street Journal after the film's recent debut at the Sundance Film Festival, Taylor-Wood explained that it was not easy finding an actor to play one of the biggest celebrities of all time.

"I started afresh, with a new casting director," she explained. "For Lennon, we saw over 300 people, but I spotted Aaron [Johnson] around seven or eight. So in the back of my mind, I knew he was right for the role, but I was just double-checking." "Same for McCartney," she added. "We left no stone unturned. It was a challenge, because we saw a hell of a lot of lookalikes, and people who could sing or play guitar like them, but I had to bat that away and find someone who embodied their spirit."

Tuesday, 16 February 2010

Heather Mills reveals she's spent her £24million divorce settlement in 22 months

Heather Mills claims she has spent the bulk of her £24.3million divorce settlement… just 22 months after she collected the bumper pay-out from ex-Beatle Sir Paul McCartney. In an hour-long TV special she tells psychologist Dr Pamela Connolly – wife of comic Billy – that she gave a large chunk of the cash away. “Most of it’s been given to charity, gone into ethical businesses or paid for a couple of ­- properties for my daughter’s future security,” says Heather, who had six-year-old Beatrice with Macca.

And in a thinly-veiled swipe at Macca, worth an estimated £400million, she adds: “I could never sit with millions of pounds in the bank that could make matters change.” Dancing On Ice star ­Heather, 42, also compares Macca, 25 years her senior, to her dad saying: “In some of my ­relationships I have attracted a similar type of person to my ­father.” Pamela then asks: “Controlling?” Heather says: “Yeah”. “Powerful?” “Yeah”. “A little scary?” “Yeah”.

Talking of her ­relationship with Sir Paul she adds: “It was one of the best 10 years of my life and one of the worst. I didn’t have any ­control. It took me years to realise that. In the end I had to walk away.” Heather also talks about coming to terms with the loss of her leg in 1993. She says: “This counsellor came in and said, ‘How are you ­feeling?’ I went into survival mode and said, ‘I’m fine’. But she said, ‘You realise you won’t be as attractive to men’. I said, ‘Listen my dear. Even if both my arms and my legs were missing. I’d still be more attractive than you’."

Thursday, 17 December 2009

Saturday, 1 August 2009

Paul McCartney says goodbye with tour

Sir Paul McCartney plans to embark on an ''unusual'' farewell world tour next year before retiring from the music industry. Sir Paul McCartney wants to retire with a huge farewell world tour next year. The 67-year-old Beatles legend is planning to play at a host of "unusual" locations before walking away from performing large scale shows.

A source said: "Paul wants to go out with a bang. He's played countless stadiums over his 50-year career and is on the hunt for the most unusual locations he can find. "He realises the older he gets, the less his body will be able to cope with the demands of extended periods on the road. He might play the odd benefit concert - but other than that he'll be putting his feet up and enjoying retirement."

Discussions about which cities Paul will play at are already underway and a host of landmark locations have already been earmarked. The 'Hello Goodbye' hitmaker is keen to perform at China's Tiananmen Square and Checkpoint Charlie - the name given to the best known crossing point at the Berlin Wall, which was torn down in 1989 - while several dates in Brazil have been pencilled in for next April.

The source added to Britain's The Sun newspaper: "The tour in 2010 is likely to last well over a year, by which time Paul will be getting close to 70. He's making enquiries about a number of special locations and he's keen to play in China and Checkpoint Charlie."

Live and Let Live: Sir Paul McCartney

Paul McCartney likes to get out of the Beatle bubble he's lived in since he was 21 and just be a regular bloke. So he does. No disguises, no bodyguards. Just Paul.

Sometimes he goes bowling. Or does the grocery shopping. Or goes to movies with his girlfriend and gets shushed by strangers for talking too much. A couple of years ago, he recalls, he found himself on a New York City bus ("Luckily, I had the right change"). Or rather, New Yorkers found him on the bus.

Everyone stared as the famous passenger took his seat, but no one said a word. Finally, someone -- "it was the African American lady" -- spoke up. " 'Hey!' " McCartney imitates, his voice rising, his delight at the memory evident. " 'Is you Paul McCartney?' "

" 'Yeah, I am!' " Sir Paul answered. "I'm in their face. I don't shrink away. No point. I'm from Liverpool, you've just got to get with it.

"So I said, 'Look, honey. Don't shout across the bus. Come and sit here!' "

The woman accepted the offer and the unlikely couple had a merry chat for several more blocks. And then the world's most celebrated songwriter reached his stop and melted into midtown Manhattan.

McCartney will play in front of 60,000-plus people at FedEx Field on Saturday, the third stop on his summer mini-tour and a milestone of sorts (the concert comes 45 years after The Beatles made their American concert debut in Washington, at the long-gone Coliseum). He'll be surrounded by the usual rock-god trappings and airtight security. But he says he savors encounters like the one on the bus because they remind him of who he was and where he came from before he and a few of his friends got together and revolutionized popular music.

"It grounds you, you know," McCartney says. "It's a balance thing. I'm just one of the people on the bus. I'm the famous one, but I'm behaving normally. . . . Really, it's important."

McCartney is telling this story a few hours before taking the stage for a sold-out show at Citi Field, the gleaming new home of the New York Mets. He's in his sound-check casual duds this afternoon -- basic white shirt with tiny dots tucked beltless into dad jeans, set off by some comfy black sneakers. He's ensconced in the ballpark's visitor's clubhouse, which has been retrofitted for its royal guest. McCartney's inner sanctum is all drapey curtains and plush couches, with low lighting and some kind of incense burning on the coffee table. "All right if I chomp?" asks McCartney, a vegetarian since the 1970s, as he stuffs a snack of grapes and almonds in his mouth.

For an official senior citizen -- impossibly, he's now 67 -- McCartney looks remarkably youthful. He's slim, almost slight, and truth be told, could even stand a few more pounds. The famously cherubic face is fleshier and lined just enough to remind you that McCartney isn't 21 anymore. The tousled hair is a flat brown. This is reassuring; who wants a Beatle, particularly the doe-eyed, ever-boyish Paul, to seem old or even to age at all?

The even better news is that McCartney's voice remains as strong and supple as it was in his youth, even in this, his 50th year of performing. Critics generally applauded the vocals and writing on his last album, "Electric Arguments," released last year under his Fireman alter ego. But McCartney is a revelation in concert. He plays straight through for about 2 1/2 hours each night, offering more than 30 tunes from his vast catalog. The set list ranges from such sweetly sung classics as "Blackbird" and the inevitable "Yesterday" to the frantic, voice-shredding chestnut "I'm Down." (On this day, even his sound check is a mini-concert, featuring a dozen or more songs, including a lovely version of "Midnight Special.")

McCartney's show also has several nods to souls departed; "My Love" is dedicated to his late wife Linda, "Give Peace a Chance" goes out to John Lennon, and "Something" is sung in honor of its creator, George Harrison. A nice touch: McCartney plays the latter song on a ukulele that Harrison gave him.

McCartney says the emphasis on vintage McCartney (and McCartney-Lennon) is calculated to please. "It's always difficult to do new songs," he says. "You know, I look at myself and think, 'Okay, I'm coming to see this show, I'm just an ordinary audience member, what do I want to hear him do?' And you know, a lot of it is hits. If I went to see Prince, I know the songs I want. I want 'Purple Rain,' please. You know if he doesn't do it, someone says how was it and you have to answer, 'Well, he didn't do 'Purple Rain.' . . . I don't want [fans] to go home thinking 'Oh, I would have liked to have heard 'Hey Jude.' "

He doesn't mind the nostalgia; McCartney sees it as something akin to giving back to people the things that made them love him in the first place. "Oh, I want to do them," he says. "We made hits so people would like them. And so it's gratifying that people do. You can't be annoyed that people got to like these songs."

As genial as McCartney is, interviewing him can be a slightly disconcerting experience. He's answered all the important questions dozens, even hundreds of times, but his career has been so varied and rich and storied that the potential questions are endless. What's more, each time you look up, you're conscious of a little out-of-body voice reminding you of just whom you're sitting next to (every media encounter with McCartney is, of course, stalked by Chris Farley's hilarious mock interview with him on "Saturday Night Live" in 1993; Farley to McCartney: "You . . . you . . . remember when you were in the Beatles and you did that album 'Abbey Road' . . . ?")

McCartney himself doesn't seem all that impressed by his own legend. "The whole point about it, the Beatles, Wings and me now, is that I'm too busy living it to think about it or reminisce." His friends like to look back -- "They'll say, 'What was your favorite Beatles show?' " -- but McCartney isn't quite as keen.

Well, perhaps he can clear up at least one tiny mystery of several decades standing: What exactly is McCartney's maddening lyric in "Live and Let Die"? Is it, "In this ever-changing world in which we live in"? Or "in which we're living"?

McCartney considers and seems genuinely puzzled. "Yeah, good question," he says. "It's kind of ambivalent, isn't it? . . . Um . . . I think it's 'in which we're living.'"

He starts to sing to himself: "In this ever changing world. . . . ' It's funny. There's too many 'ins.' I'm not sure. I'd have to have actually look. I don't think about the lyric when I sing it. I think it's 'in which we're living.' 'In which we're living.' Or it could be 'in which we live in.' And that's kind of, sort of, wronger but cuter. That's kind of interesting. 'In which we live in.' In which we live in! I think it's 'In which we're living.' "

Ah, thanks, mate. Clears things right up.

The larger mystery about McCartney may be this: Why, after all these years, is he still showing up at all? What could he possibly want after so much -- the frenzied adulation of the Beatles years, the Olympian collaboration and bitter split with Lennon, the money and fame and personal tragedies, the tabloid divorce -- and why is he still after it?

McCartney brightens at this line of discussion. "I like what I do," he answers instantly. "It's pretty simple really. Also, I'm very darn lucky to get this job. I've had others that weren't as good as this. Second man on a lorry -- it was not the greatest job.

"And then you get the relationship with your audience, which sort of grows as you do shows. There's great warmth there [and] it's sort of healing . . . .I find it's just a great pleasure just being able to plug an electric guitar in. It's what I wanted to do since I was a kid. Only now the amps are bigger."

McCartney notes that the hours are pretty good, too. His current tour is almost ad hoc, with a date added here, another there. Including a well-received performance at the Coachella Music Festival in April and a memorable appearance atop the Ed Sullivan Theater's marquee on the David Letterman show earlier this month, McCartney and his band will play in only eight cities; the current tour winds up in three weeks.

The former Fab Four moptop says he's "energized" by the performances, but the limited touring is a lifestyle choice. "My personal situation at the moment with my little 5-year-old daughter [Beatrice, with ex-wife Heather Mills] gives me certain periods of time when I can do what I want. Which is the strange thing about divorce. On the one hand, you become a single parent suddenly. But the upside of that is that it's changed the way I tour now. So this, we call it Summer Live, is a little series of dates that are fitted in the gaps when I'm not being a dad. I love the balance. It's really nice. The other few days, I go home and I'm dad, and when that period is over, I come back."

He acknowledges that he has thought about retirement, but not seriously and certainly not soon. "It's what everyone else does, and that thought has to occur to you," he says. "Even 15-year-olds will be looking at the year 65 and think that's probably when I'll retire," he says. "But strange things happen in music. You look at people like Tony Bennett, B.B. King -- people who are as good if not better than they were. And you sort of think, oh! And you look at that as your beacon kind of thing. Plus, the thing is, I always said when people don't want to come and I'm struggling, then I have to look at it more seriously . . . I certainly couldn't just give it up like that. I like it too much."

Which suggests that the once unimaginable is now not just possible but highly likely: a Beatle, rocking out at 70, even 75 years old. Paul McCartney is almost there, and it doesn't seem odd at all. In this ever-changing world in which we live in, it even seems kind of normal, like riding the bus.

Thursday, 23 July 2009

Gordon Waller: a word from Peter

We are deeply saddened to report that some time after 8:00 p.m. last night east coast time, Gordon Waller went into cardiac arrest and was taken to the emergency room. Despite intensive efforts on his behalf by hospital personnel, Gordon passed away early this morning. Please keep him in your thoughts and prayers.

His partner of nearly five decades, Peter Asher, will be issuing a statement shortly. We hope you will join us sending love and condolences to his family.


Gordon played such a significant role in my life that losing him is hard to comprehend – let alone to tolerate. He was my best friend at school almost half a century ago. He was not only my musical partner but played a key role in my conversion from only a snooty jazz fan to a true rock and roll believer as well.
Without Gordon I would never have begun my career in the music business in the first place. Our professional years together in the sixties constitute a major part of my life and I have always treasured them.

We remained good friends (unusual for a duo!) even while we were pursuing entirely separate professional paths and I was so delighted that after a hiatus of almost forty years we ended up singing and performing together again more recently for the sheer exhilarating fun of it. We had a terrific time doing so. Gordon remains one of my very favourite singers of all time and I am still so proud of the work that we did together. I am just a harmony guy and Gordon was the heart and soul of our duo.

I shall miss him in so many different ways. The idea that I shall never get to sing those songs with him again, that I shall never again be able to get annoyed when he interrupts me on stage or to laugh at his unpredictable sense of humour or even to admire his newest model train or his latest gardening effort is an unthinkable change in my life with which I have not even begun to come to terms.

Friday, 24 April 2009

DVD Alert: John Lennon Live in Toronto '69

The only known recorded performance of John Lennon and the Plastic Ono Band is finally coming to DVD. The historic concert was filmed on Sept. 13, 1969, at the Toronto Rock and Roll Revival festival. The new DVD, titled John Lennon & The Plastic Ono Band Live in Toronto '69, will be released by Shout! Factory on June 23, 2009.

Paul McCartney urges European Parliament to adopt ban on trade of seal products

Paul McCartney has renewed his call for an end to the seal hunt by urging the European Parliament to adopt a full trade ban on seal products. In a news release today, Humane Society International says McCartney has added his name to a petition aimed at the politicians. The pop music superstar says in the release the European politicians should stop the "cruel trade" in seal products.

The parliament is expected to vote on proposed legislation to ban the import of seal products in the next several weeks. The music legend says in today's release "the fate of millions of seal pups is in the hands of elected members of the European Parliament."

Paul McCartney rocks Las Vegas

The occasion: Two nights after his acclaimed headline gig at Coachella, Paul McCartney rocked The Joint Sunday night, capping the opening weekend of the Hard Rock Hotel's super-sonic $60 million venue that doubles the capacity of the same-named hall that closed in February. Sir Paul set a world record by selling out the house in seven seconds on Valentine's Day. General admission tickets cost $195 to $700 (for suite seats) but fetched thousands from scalpers. It's only love.

Macca the knife: McCartney, 66, remains a sharp and agile performer, his voice as supple, warm and elastic as ever. Trim in a black suit, white shirt and suspenders, he maintained a boyish energy and upbeat tone through the show's briskly paced 212-hour parade of 33 songs. While ably backed by longtime band mates Abe Laboriel Jr. on drums, Paul "Wix" Wickens on keyboards and Brian Ray and Rusty Anderson on guitars, McCartney was an eager heavy lifter.

Fabbest forays: Beatles hits proved most popular, and McCartney generously cherry-picked the catalog, opening with the joyride Drive My Car and delivering equally sleek versions of Eleanor Rigby, Back in the USSR and Paperback Writer. A chilling revival of A Day in the Life segued into the chanted Give Peace a Chance. Macca signatures Let It Be and The Long and Winding Road, embedded in boomer DNA, still have the power to raise gooseflesh.

Winging it: McCartney's solo selections didn't pale against Fab Four fare. And it wasn't just Wings high-fliers like Jet, Band on the Run and Let Me RollIt that stirred excitement. The tough Only Mama Knows, boogie-rocking Flaming Pie and accordion-sweetened Calico Skies stood up to McCartney's finest compositions. Mrs. Vanderbilt perhaps was a tad twee, but he pointed out, "I'll have you know that song is very popular in the Ukraine."

Where's the fire, man? It's in The Fireman, McCartney's nom de techno with collaborator Youth. The raucous Highway and dramatic U2-esque Sing the Changes, both from the pair's Electric Arguments album, gave the show edge and currency. Smoking The Joint: The building theatrics of Live and Let Die culminated in noisy pyrotechnics that filled The Joint with smoke, the perfect setting for the hazy nostalgia that accompanied a sing-along that followed.

Paul's game face: He's still The Cute Beatle, even digitally. During Got to Get You Into My Life, the huge screen behind the band flashed previews from fall's The Beatles: Rock Band videogame. Expect fireworks and psychedelic flourishes with the foursome's instrumental prowess.

Gentle shout-outs: McCartney, strumming a ukulele George Harrison gave him, paid homage to the late Beatle in a playful and poignant acoustic version of Something. Wife Linda, who died 11 years ago, was remembered in a wobbly performance of My Love, which he dedicated to "all the lovers in the room." And his nod to John Lennon in a heart-melting Here Today contained "stuff I might have said to him but didn't get a chance." Listen to what the man said: Introducing Blackbird, McCartney reminded the audience that the song pertained to the '60s civil rights struggles. "It's really great to come all this way and find you have President Obama," he said. "Yeah, change has come."

You say goodbye and I say hello: McCartney's protracted encores brought fans to the brink of hysteria, first with Can't Buy Me Love (augmented by Help! footage), Lady Madonna and a feverish I Saw Her Standing There. He returned for the always-moving Yesterday, a fierce Helter Skelter and Get Back. "This is the point where we have got to go home," McCartney said before launching into a cheery Sgt. Pepper's Lonely Hearts Club Band, illustrated by a pulsating backdrop of a sunrise. A fitting symbol for an artist still rising to the occasion.

Paul McCartney rocks Coachella


First 45 minutes shown online:
1) Jet
2) Drive My Car
3) Only Mama Knows
4) Flaming Pie
5) Got To Get You Into My Life
6) Let Me Roll It/Foxy Lady
7) Honey Hush
8) Highway
9) The Long And Winding Road
10) My Love
(Paul mentioned that it was the 11th anniversary of Linda's death and he wrote the song for her. He was very emotional as he sang it)
11) Blackbird
12 )Here Today (for John Lennon)

Other songs performed:

Something (dedicated to Olivia Harrison who Paul said was in the audience)
Calico Skies
A Day In The Life/Give Peace A Chance
Back in the U.S.S.R.
Band on the Run
Live and Let Die
Eleanor Rigby
Helter Skelter
Sing The Changes
Let It Be
Can't Buy Me Love
Get Back
Helter Skelter
Hey Jude
Sgt Pepper's Lonely Hearts Club Band/The End

Paul actually jumped off the stage into the audience to give someone a pick who had been asking for it all night. He also introduced the entire band at the end of the show.

Thursday, 23 April 2009

Ex-Beatle's arrival in Peru is yet to be confirmed

"Artes Eventos", the company that reportedly would bring Paul McCartney to Peru, has issued an statement remarking that the former beatle's arrival is yet to be confirmed.

"Our manager, Alberto Menacho, has not confirmed anything to the media. Once we have the actual information, he's going to announce it in an official press conference" they state in one of the forums of Artes Eventos' webpage.

However, they are in negotiations with Paul McCartney's managers, and they expect to arrive to an agreement during the next few weeks.

Artes Eventos is the company that brought Kiss and Iron Maiden to Lima, and is currently preparing the upcoming Oasis' concert in our city.

Tuesday, 21 April 2009

The Beatles Rock Band Limited Edition

We've speculated about what could be in the Beatles limited edition Rock Band bundle, but now GameStop has detailed exactly what will come in the package. There are no images yet, but if you're on the company's e-mail list you should have already received the information. It may be $250, but it's sure sounding pretty swank so far.

I'll let GameStop tell the story itself: "We've just learned that the Limited Edition Premium Bundle will include The Beatles: Rock Band software; a Höfner Bass controller; The Beatles-inspired and Ludwig-branded Rock Band drums with classic pearl finish, a metal kick pedal and a vintage replica drumhead; plus a microphone with stand, as well as additional special content."

The microphone stand is great news; playing Rock Band with a mic stand so you can sing and play guitar is great fun. The bass controller is also a great addition, although we were hoping for a guitar and bass controller to be included for that price.

We're looking forward to seeing what all this will look like, but in the meantime, does this get you any closer to buying the bundle? I'm interested in your thoughts.

New George Harrison album to be released

A new collection of some of George Harrison's best-loved songs is to be released this June. 'Let It Roll: Songs By George Harrison' will feature music from throughout Harrison's solo recording career, with tracks including 'My Sweet Lord', 'Isn't It A Pity', 'Give Me Love (Give Me Peace On Earth)' and 'Got My Mind Set On You'.

Three Harrison-penned Beatle tracks, recorded live at his 1971 Concert For Bangladesh, will also appear on the album, which is released on June 16. The Beatles' tracks featured are 'Something', 'While My Guitar Gently Weeps' and 'Here Comes The Sun'. The album's complete tracklisting is yet to be announced in full.

Friends, fans and colleagues share their recollections of the late George Harrison

George Harrison is being recognized with a star on the Hollywood Walk of Fame today. Located in front of the Capitol Records building, his star will be near John Lennon's. In anticipation of the ceremony, associates, friends and a few famous fans share their thoughts about the man known as the quiet Beatle.